#Taylor swift the vault crack#

Musician Phoebe Bridgers collaborated with Taylor Swift on “Nothing New.” (Rich Fury/Getty Images)

#Taylor swift the vault crack#

She doesn’t have to strain to hit notes or crack her voice, she just lets the story speak for itself. Although Taylor’s version lacks some of the time sensitivity and raw emotion which characterized its prototype, it feels, more than ever, that she has grown and found strength in her voice. It’s scrubbed clean of hesitation it’s just Taylor and her memories to be reckoned with. Guitar riffs which were subdued and folk-like in the original track, “Holy Ground,” are amped up and bold. Swift takes to particular, intimate musical decisions and progressions. The overall sound is cleaner, brighter, and more self-assured. Taylor’s version desires more.Īlthough the contents of the re-release is essentially the same (excluding the vault tracks), the sound and technicality of Taylor’s version far surpasses its predecessor.

We catch a glimpse of a twenty-something Taylor racing from party to party, first love to first fight, small town to metropolis. “Red” invokes hope, grief, retribution, infatuation, and satire all within a neat two hours and ten minutes. As Taylor releases these well-loved, well-worn tracks, she taps into a mood which, like the seasons, changes swiftly. The song is somber, reminiscent of a warmer, spotless frame of mind. “Autumn leaves falling down like pieces into place, and I can picture it after all these days.” Lines from Taylor’s heart-wrenching soliloquy, “All Too Well,” reflect upon her experiences in fall 2011, yet flawlessly encapsulate our modern circumstances. The timing for the album’s renaissance couldn’t be more perfect. For now, let’s enjoy “Red (Taylor’s Version).” Few know (but many guess) which album she plans to unleash upon her loyal fans in the subsequent months. In an adept act of defiance, Swift decided to re-record her first six albums. After an ugly, highly publicized ownership battle, Swift’s former manager, Scooter Braun, remains proprietor of most of her work. With Taylor Swift’s second re-released LP, “Red (Taylor’s Version),” we watch as she lays down another brick in the restoration of her opus. Audrey Morrison starts off reviews with an in-depth exploration of “From the Vault” songs of the new album. Keep checking our website - we have lots of feelings and we’ll be sharing them. Red (Taylor’s Version) was released less than a week ago, and song lyrics, theories, and thoughts are rapidly through the minds of many on The Lasso staff.